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JCCD-3022:
Chris! - The Chris Blount New Orleans Jazz Band
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Personnel:
Chris Blount [cl], Derek Winters [tp], Ron Radford [tb],
Barry Grummett [pn], Tony Peatman [bn], Harry Slater [sbs],
Steve Upton [dm] |
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Reviews for:
JCCD-3022: Chris! - The Chris Blount New Orleans Jazz Band Cadence Magazine - U. S. A. The late Blount and his mates play faithful, spirited, and entertaining
trad Jazz. On record I still wonder - although this disc sounds great
- why anyone would want this sort of thing instead of spinning the old
Sidney and Jelly Roll discs one more time, but these groupings must have
been a gas to see in person. Blount has an extremely strong tone on clarinet
and is something of a Lewisian player. He and the various trombonists
(especially the mar-velously tailgating Vickers) intertwine their lines
effectively. Blount tends to favor the clarinet's upper register (with
not a few notable exceptions; see "Salutation March") and so
sounds also something like Bechet before Sidney made his dalliance with
the soprano saxophone permanent. All this disc is fun, as it is meant
to be, without any special standouts or clunkers. Blount will be missed.
Jazz Gazette - Belgium Although ihis band is completely British, they also sound completely
New Orleans. While I was playing this CD several limes in order to review
properly, I found out that my Appreciation became stronger and deeper
with each playing and that I used the fact that 1 had 10 review it as
an excuse to play it once more . . just for the pleasure of it. Chris
Bloum is an unconditional admirer of George lewis and this is reflected
in his playing. Unlike some other Lewis disciples, Chris doesn't slick
10 the great man's repertoire, Chris has mastered the style of his model
completely, adding his personal touches as well. Great tone too, especially
in the lower register. Richard Bourcier - JazzReview.com jazz critic The late Chris Blount was a follower of George Lewis and many of his
recordings include pop-tunes that his idol had firmly molded into the
New Orleans style. This CD offers fifteen fine pieces from a 1996 session
at the Grosvenor Hotel in Nottingham, England. One song, Darling Nellie
Gray, dates to 1856, the year Verdi's La Traviata premiered in New York.
Jazz standards are not forgotten the album includes Storyville Blues,
Careless Love, South, Fidgety Feet and the Bunk Johnson favorite, One
Sweet Letter From You. Blount's treatment of Love Nest is one of the finest
I've ever heard. Otto Harbach's 1920 hit gets some truly sympathetic improvisation
by Blount and trumpeter Derek Winters. It's also a chance to hear the
fabulous rhythm section on this recording. Four players, Barry Grummet,
Tony Peatman, Harry Slater and Steve Upton operate as a "unit"
and it rocks. Big Bill Bissonnette had a similar impression and mentions
it in his liner notes. |
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